Thursday, 15 October 2015

Do Celebrity Endorsements Make a Difference?



There was a time when celebrities who got involved in politics captivated the nation.
 
Al Jolson sang on the stump for Warren Harding during his 1920 bid. The impossibly chic Rat Pack backed John F. Kennedy in 1960. And in the 2008 contest, Oprah Winfrey’s support of Barack Obama helped legitimize the first-term senator and lift him above the competition.
But as the 2016 presidential campaigns roll out their VIP backers, with press releases suggesting that voters should be swayed by the endorsements of Anchorman, the Incredible Hulk, and a guy on a show called “Pawn Stars,” it’s growing clearer that the punch these announcements once packed is diminished.
“It’s really difficult to get people to do something they otherwise wouldn’t do or to switch teams,” says Michael Cobb, an associate professor of political science at North Carolina State University who studies political behavior. “Celebrities are really good at getting attention. They can create a celebrity-like environment in which people get pumped up.”
But Cobb adds, “Not every celebrity is credible. In fact, very few celebrities are seen as credible.”
So far this cycle, celebrity influence on the political narrative has proved fleeting, experts suggest. Maybe that’s because nearly everyone has a brand these days, thanks to social media. The public zone is flooded with scene stealers, famous and not so.
Kimberly Jessy Bowles
So when actors Will Ferrell and Mark Ruffalo (Anchorman and The Hulk, respectively) endorse Senator Bernie Sanders of Vermont, and Rick Harrison of the History Channel’s “Pawn Stars” supports Senator Marco Rubio of Florida, and BeyoncĂ© and Carole King pledge their votes to Hillary Clinton, and former quarterback Brady Quinn stumps for Jeb Bush, does it matter? And how?
The impact of these public figures, researchers say, is — or can be — threefold. They can draw more people to events and rallies, help with fund-raising appeals, and, as Cobb suggests, create a buzz in the media. The latter can be especially important for younger voters who might not be plugged into the day-to-day scraps among the candidates about policy but might care who rapper Ja Rule likes for the nation’s top job.

Some researchers see value in endorsements during primary contests, in particular, as voters weigh the sometimes narrow policy differences among the candidates seeking their party’s nomination. That proved true when Winfrey campaigned for Obama. Her endorsement was meaningful because Obama and his chief Democratic 2008 rival, Clinton, weren’t far apart in their beliefs and values. Also, of course, Winfrey told the public it was OK for a woman to choose the history-making candidacy of an African-American over the history-making candidacy of a woman.

“No one celebrity right now has the power Oprah had at her peak,” said Craig Garthwaite of Northwestern University’s Kellogg School of Management, who studied the effect of her endorsement.
Garthwaite and colleagues concluded that Winfrey — who had sway with educated white women who were more likely to be Clinton supporters — brought a million votes to Obama that he wouldn’t otherwise have had.
A surprise endorsement might be the only other type that could really move votes — though experts were hard-pressed to name one. That would be like if Bono endorsed Bush, Garthwaite suggests. Improbable to believe, perhaps, but such a move might make U2 fans pause, at the very least, to consider the Republican.
Celebrities can also say things about other candidates for office or their big money donors that the candidate would never.

Meanwhile, it doesn’t appear that sheer volume of celebrity support conveys meaning in the political marketplace, according to researchers. So when Sanders, a Democrat, released a list last month of 100 or so artists supporting his bid — from Danny DeVito and Belinda Carlisle to musicians from Phish and the Red Hot Chili Peppers — what was he hoping to accomplish?
“Bernie has talked about a grass-roots movement and a political revolution and the diversity of the people you see on this list is an example of that,” says Michael Briggs, a Sanders campaign spokesman. Could it also be in some sense counter to Sanders’ populist appeal to have a bunch of wealthy stars singing his praises? 

“I think that the message is the same no matter where you are from on the income scale,” Briggs says. “Somebody who is a little bit better off than you and I can care about some of the same issues.”

Quinn, the former NFL quarterback supporting Bush, is a Florida resident who says he has witnessed Bush’s leadership firsthand. Though he is helping the campaign at events targeted to younger voters, Quinn says celebrities can only add their voices to the process. Voters should rely on friends and family members and co-workers to help them shape their beliefs and ultimately decide on their candidate. “I think people should pay attention to the policies; people should pay attention to the track record of the individuals they are possibility voting for,” he said. “Be informed on the issues that you feel passionate about. We all have one vote. We all have an opportunity to have an impact.”

It’s worth noting that for the celebrity-endorsement-starved this cycle, among Republicans especially, many believe it’s too early to hear from some of the big names. Clint Eastwood has been awfully quiet. Same for actors Gary Sinise and Patricia Heaton, two politically active conservatives. “People want to hold their endorsements usually until they can have an impact,” says Rick Tyler, a national spokesman for Senator Ted Cruz, the Texas Republican. “It doesn’t help to endorse someone and have them drop out. I think the field isn’t exactly settled yet.”

In fact, the current Republican front-runner illustrates how the nation’s celebrity-fixated culture has not just interceded in the White House contest but begun to hijack it altogether. Donald Trump’s rise in the polls and virtual takeover of the cable media are flummoxing experienced establishment candidates with money and institutional support. It’s worth remembering that Trump, the reality television star and businessman, would not be the first performer to find his way to the White House. Ronald Reagan blazed that trail, of course, though not before holding elected office as the governor of California. Trump has never won office. Still, his deft manipulation of the media and undeniable name recognition have been boosts to his unlikely bid.
When contacted, his campaign wasn’t all that interested in peddling celebrity backers. And perhaps with one good reason.
“He’s like a self-endorsed candidate in that way,” Garthwaite said.

Wednesday, 7 October 2015

Kimberly Jessy Bowles | Discussing Relationship Disasters on the Tyra Banks Show

Kimberly Jessy Bowles sits on a panel on the Tyra Banks Show discussing relationship disasters from yester years! Kimberly has helped create, direct and produced made Short Films, Music Scores and is currently working on a Disney style “Frozen” 3D Animated Series, slated for TV.



Friday, 26 June 2015

Kimberly Jessy Bowles - Interview With Abby Lee

Kimberly Jesika’s motto is “Expression of who I am, and what goes on inside of me, its an expression of my lost inner little girl, that never got to be herself, live herself, express herself, or play, its for all little girls lost and interrupted.”

Tuesday, 23 June 2015

Kimberly Jessy Bowles - Interviews Billy Bob Thornton

Inside Out's success should turn Hollywood upside down

Inside Out, whose protagonists are the five squabbling emotions inside the “head-quarters” of an 11-year-old coming to terms with her family’s move to San Francisco, is literally at the cerebral end of Pixar’s output: conceptually driven and inclined to formal tricks. So rather than this outstanding strike, or even the $60-70m range in which the studio has unerringly opened its original offerings, you might have expected it to have debuted closer to Ratatouille’s $47m.
Perhaps it’s a testament not only to the strength of Docter’s film and the recent dearth of original animation, but also Pixar’s tilling of the mainstream down the years; how most of its 15 features have cultivated a taste for moral and emotional sophistication, as well as thrills and in-jokes, in children’s entertainment.

Inside Out should easily clear $500m globally, and be up alongside Up’s $731.3m and Monsters University’s $743.6m, but early indications suggest it could be tough for it to match Toy Story 3, Pixar’s one member of the $1bn club. Conspicuous in several of this week’s key overseas markets is that the film is opening at around 50-60% of Buzz Lightyear and co’s last outing: in France ($5.2m to TS3’s $10.5m), Australia ($3.6m/$6.4m) and Mexico ($8.8m/$15m). And it has Universal’s Despicable Me spinoff Minions, which beat out Inside Out in Australia this week, for competition over the summer. But counting for every last cent is what Disney does – and it surely bought Pixar to give it that special spark of something different.

Monday, 22 June 2015

Taylor Swift Successfully Rails Against Apple Music

Never underestimate the power and influence of Taylor Swift.

Seriously.

Swift made headlines late last week when she wrote a long, very critical letter on Tumblr, explaining why she would not make her album available on Apple Music.

Simply put, she said it was “shocking” and disappointing” that the company would not be compensating musicians, songwriters and producers for their music during its 90-day fee trial period.

Thinking of new groups or solo artists who would not see a dime for a quarter of the year, despite their hard work, Taylor railed:

"This incredible company has the money to pay artists, writers and producers for the 3 month trial period… even if it is free for the fans trying it out.

"Three months is a long time to go unpaid, and it is unfair to ask anyone to work for nothing… Please don’t ask us to provide you with our music for no compensation."

Thursday, 18 June 2015

Dame Helen Mirren slams ageism in Hollywood branding it 'outrageous'

Actress Dame Helen Mirren has slammed ageism in Hollywood as “outrageous”.

Mirren – who was recently honoured with a Tony award for her role in The Queen -  hit out at the industry during a talk in New York.

Speaking at TheWrap’s Power Breakfast, Mirren said: "It’s f****** outrageous. It’s so annoying. And ’twas ever thus."

She continued her point by drawing comparisons to 007 agent James Bond and his Bond girls.

"We were all watching James Bond as he got more and more geriatric, and his girlfriend’s got younger and younger," she said. "It’s so annoying."

The Woman In Gold actress made the comments after being asked about Maggie Gyllenhaal’s recent admission that at age 37 she had been turned down for being too old to play a 55-year-old man’s lover.

Mirren also spoke about her dislike of women in Hollywood being referred to as 'sexual'.